Autumn Drive

Saturday morning we were discussing which drive we should go on to look at autumn leaves. In the past, we’ve driven the Alpine Loop. There have always been a lot of people. Lots of cars squeezing by each other on the mountain roads. But Saturday we decided to drive the Nebo Loop. Here’s a prelude video to a bunch of photos we took:

The morning was gorgeous. The best light shone through the trees; cast a perfect silhouette of the mountains. We’re so glad we went.

Happy autumn, everyone!

Karim Dabbèche Animation to Violin Concerto No. 1 in D Major, Op. 19, II. Scherzo: Vivacissimo, Performed by Hilary Hahn

I have included watching this video into my daughter’s morning routine:

We listen to the whole thing. Z may wander during this piece, but she makes sure she watches the part where the main character falls out of the subway train. It seems she also likes to watch them stand up after falling down. Which is pretty dang cool.

The other day I scrolled through comments to this video and came across this opinion.

To be honest, I knee-jerked when I first read this. Like, I was sort of offended? But I didn’t need to be. I didn’t spend a lot of time trying to understand this person’s perspective. I get it: Hilary Hahn is mesmerizing to watch. But without really knowing this commenter, maybe I’ll try unpacking what they said here.

Disclaimer: This is not a defense of Hilary Hahn, as she does not need defending. This is a rebuttal of an opinion of a YouTube commenter. That is all.

I’m a fan of Hilary Hahn. Oh, me too! She’s so talented. She has great energy as a performer. A beautiful personality, and very gracious to her fans. I mean, here Commenter is setting up for the but of their comment. I can feel it.

I appreciate her sincerety [sic] and commitment to her music. I agree! She’s very sincere! She’s very committed to her music. Both are not always simultaneously present in famous musicians or public figures in general. The way she presents her 100 Days of Practice demonstrates both of these qualities in spades: she offers valuable music and life wisdom, and in the 100 days themselves she shows her dedication to her craft. Plus she provides videos of her practicing, so we get to see her every day during this time. This would be an easy thing to feel entitled to. Even as her adoring fans we are not entitled to see Hilary Hahn every day.

That said… “but…”

I would rather… Commenter is stating a preference, which they are absolutely entitled to. People like what they like. Just like I’m stating my preferences right here. Which happen to mostly disagree with Commenter.

I would rather watch her play the music than watch animations. Commenter seems to be dismissing the work of the animator here (as a preference, but still). Hilary Hahn has made an effort to work with Karim Dabbèche in his interpretation of this Prokofiev work. This is a collaboration of interpretations. A different expression of Hilary’s “sincerity and commitment to her music.” And why not promote other artists? Dabbèche is clearly talented, and this video is legitimately cool, and Hilary testifies that it captures the spirit and weirdness and charm of Paris. This work also overflows with real representation of diverse backgrounds and cultures, which is really what we need. It’s refreshing, frankly. That she has played an active part in bringing this video to reality says a lot about her generosity and breadth of creativity as a human being. And she wanted to share it with us. I’m so grateful she did.

I mean, right?

Done ranting now.