Practicing Stravinsky Piece 1 in A

Clarinets have become somewhat of an obsession of mine during the pandemic. Last week I found a nice intermediate model of an A clarinet. According to wikipedia:

In modern times, the most common clarinet is the B♭ clarinet. However, the clarinet in A, pitched a semitone lower, is regularly used in orchestral, chamber and solo music. An orchestral clarinetist must own both a clarinet in A and B♭ since the repertoire is divided fairly evenly between the two.

I’ve noodled around a bit on the A, breaking it in slowly. The tone is really nice. In this photo, the A clarinet is on the left and the B♭ is on the right. You’ll see the A is a little bit bigger–longer body, wider bell. Because the brand is different, the pinky keys are situated a little differently, but the response is just as quick as the B♭.

Practicing Piece 1 of Stravinsky’s Three Pieces has been way fun. Since I’ve been practicing on the B♭ up to now, I’ve gotten used to hearing this work pitched in a particular way. As I’ve been practicing on the A, hearing the music a half-tone lower was a bit weird at first, but i’m getting used to it. I’ll post two different practice sessions here: First the B♭, and then the A. And as I mentioned on Instagram regarding these sessions: Similar tempos. Some different approaches/attacks of notes. Different areas needing smoother transitions between notes. And more dynamics. Still quite a bit of work to do.

Practice is good.

A little discussion.

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