writing


For those who care more about other parts of my life, you’ll have to keep waiting for a little while. I’m taking a short break only because I just received an email I’ve been waiting for for nearly two years.

Thanks for your continued patience.

In May 2010, I submitted a thing to a thing to be considered for publication. It was a final paper I’d written for my American Literature History class.

It is now almost February 2012. My thing has finally been reviewed by a reviewer and an executive editor, and it sounds encouraging:

Reviewer Comments to Author:
Consulting Editor: 1
Comments to the Author
This is a well-written and generally convincing reading. Several emendations might be made.

(a) Improve the opening paragraph by eliminating the first-person reference. There is no need for it here.

(b) On page 3, re-consider the first whole paragraph and its argument re: the color green. This paragraph is unconvincing. It makes too much of a single word and thus weakens the overall argument of the paper.

(c) Consider using the term ‘binaries’ alongside ‘pairs’ in order to vary word choice.

Overall this is a good close reading.

Executive Editor Comments:
Consulting Editor: 1
Comments to the Author
Very nice piece on a neglected story. I agree with the preliminary reader that the first person reference is unnecessary if not distracting. I didn’t have the same problem with the paragraph on green, however. While I see the point that too much emphasis is placed on the color, Ellison did put it there and it does connect to the earlier reference. I would recommend the author consider how he might rewrite that paragraph imagining how she might win over a resisting reader. Strengthen the argument for green as a symbol by insisting it’s not there by accident. A strong essay.

Time for a little revision. And a little (or a lot) more waiting. Being published in an academic, peer-reviewed journal would be a nice touch to my last semester.

The public library sale was fun. Today, hardbacks were $1.00, and paperbacks were $0.50. Pretty cool, eh?

Here’s what I got:

Charles Baudelaire, Les Fleurs du Mal
- We’ve been reading a lot of Baudelaire in one of my classes, so when I saw this, I got really excited.

Germaine Bree, Great French Short Stories
- These are in English, and they’re most of the famous ones.

Geoffrey Brereton, A Short History of French Literature
- I bought this one for pretense. Of course.

Annie Ernaux, La Place
- This looked interesting. And it’s short, which means it’s more likely that I’ll finish it.

Other Random French Short Stories
- These are in French. I like short stories. I like French. It only makes sense.

***

T.C. Boyle, When the Killing’s Done
- I hear he’s good.

Don DeLillo, Underworld
- This guy is supposed to be great, too.

Joan Didion, Play It as It Lays
- I haven’t read a lot of her fiction; I’m looking forward to this.

Louise Erdrich, Four Souls
- This is supposed to be awesome.

Louise Erdrich, Love Medicine
- I think I have a copy of this in New York City. Oh, well.

Hemingway, Short Stories
- Short stories is pretty much the only way I like Hemingway.

Khaled Hosseini, The Kite Runner
- I’d read this before.

Khaled Hosseini, A Thousand Splendid Suns
- I hope this one is okay, too.

Zora Neale Hurston, Jonah’s Gourd Vine; Mules and Men; Their Eyes Were Watching God
- I remember that a friend was reading Their Eyes her junior year while I was a senior in high school. I’ve been wanting to read Hurston ever since.

Carson McCullers, The Heart is a Lonely Hunter
- I read this the summer before my junior year of school for an AP English class. It’s time to read it again.

W.S. Merwin, The Lost Upland
- I like Merwin. I like France. Enough said.

Sylvia Plath, The Bell Jar
- I put off getting this for a long time.

Chaim Potok, Davita’s Harp
- I love the Chosen, hopefully this one will be great, too.

Annie Proulx, The Shipping News
- Proulx seems pretty important, but I’ve read very little of her.

Thomas Pynchon, V
- Same thing with Pynchon.

Betty Smith, Joy in the Morning
- A Tree Grows in Brooklyn was pretty amazing. Fingers crossed for this one.

John Steinbeck, The Grapes of Wrath
- The Red Pony, The Pearl, Of Mice and Men; it’s time for a big Steinbeck book.

Mark Twain, Huckleberry Finn, pocket size
- I think I will always carry this one with me.

Virginia Woolf, Mrs. Dalloway
Virginia Woolf, A Room of One’s Own
- I’d read excerpts of both of these for a class, and that was enough to decide that I really, really like Virginia Woolf. I hope she likes me, too.

Definitely, I got my $16 worth today. I know I’m good for the year, at least.

If you want to borrow these or any of my books, let me know. If you’ve borrowed books and haven’t returned them, I’m gently reminding you that you still have them.

And that’s okay. Take your time.

Life coasts along, life dazzles, life punches squarely in the stomach. What else should we really expect?

I know I keep saying I’ll post actual updates.

A lot is going on,

and I’ve found time to blog about it before, but

Yeah. No legitimate excuse.

Classes, really quick:

My religion class and I sometimes butt heads. But it’s been good for me.

History and Criticism of Rhetoric is fun. We’ve talked about Legally Blonde and My Cousin Vinny, and we’ve done homework based on Sunset Blvd and Law & Order. And this weekend we’re analyzing oratory style of any talk at General Conference, according to Saint Augustine.

Introduction to French Literary Analysis is a lot of fun. I may have to dedicate a post just to how much I love French poetry. Because, SERIOUSLY.

Early American Auto/Biography blows me away. I’m reading excellent things by fascinating people, and I wish we could read more women. But if it’s any consolation to myself, reading what I have so far — Benjamin Franklin, PT Barnum, Ralph Waldo Emerson — makes me feel pretty outstanding. I have stories about this class, too.

My poetry writing class. Oh, my heart. I’m cultivating this profound appreciation and there’s only 11 students in the class, and the instructor is adorable and instructive and encouraging. She stood briefly on a soapbox the other day about how a lot of television these days is produced at a 5th-grade level and that Americans don’t know how to think anymore. I felt so much pride then. And, then it’s crazy how we workshop each other’s poems and how I’ve just had to simply get over or ignore being scared of sharing what I know to be mostly subpar poetry with my genius classmates. I wish you could read my classmates’ poems, because WOW.

Aside from classes, there’s church and dating and work. Visiting friends and maintaining friendships because I love my friends so very much.

OH and applying to grad schools and talking to professors about all my options after graduation.

Which will be in April.

Holy crap.

But my original reason for posting right now is that I want to reblog some useful things I came across this past week. Just two things, one each from a Utah couple I’ve been following for the past five years. I’ve mentioned them before. Winter’s on its way. People get sad in conjunction with or separately from the approaching and increasing darkness. Also, although I’m decently insulated in Provo, I try to remain aware of what’s happening around me. Bad things happen all the time, regardless, and we have to deal.  While we’ll be receiving counsel and encouragement from Church leaders this weekend, I think a few other resources are okay, especially for those square punches in the stomach. Please reblog if you feel the need.

From Jon Armstrong:

Depression Hotline: 1-630-482-9696

Suicide Hotline: 1-800-784-8433

LifeLine: 1-800-273-8255

Trevor Project: 1-866-488-7386

Sexuality Support: 1-800-246-7743

Eating Disorders Hotline: 1-847-831-3438

Rape and Sexual Assault: 1-800-656-4673

Grief Support: 1-650-321-5272

Runaway: 1-800-843-5200, 1-800-843-5678, 1-800-621-4000

Exhale: After Abortion Hotline/Pro-Voice: 1-866-4394253

And, Heather Armstrong (click the quote for the entire post):

What is worse? Being sad because something tragic has happened, or being sad because that is all your brain knows how to do?

Enjoy Conference, y’all.


Discipline


I lie in bed at 3am
trying to write a poem.
My light is on
and I try not to disturb the crickets.
Their hearts have reached a resting state
and they are saving their songs for tomorrow.
They have discipline.
The loudest thing this morning
is my pen
The most impetuous thing this morning
is my mind
conspiring against the pen
haphazard on the page
scrawling into illegibility
which isn’t like me.

“Swept Up Whole”

You aren’t swept up whole,
however it feels. You’re
atomized. The wind passes.
You recongeal. It’s
a surprise.

Kay Ryan

And, an excerpt from the linked interview:


What do you think about the state of poetry and the reading of poetry in our country?

I never, ever worry about poetry or its survival because it’s the very nature of a poem to be that language that does survive. Poems are even better than tweets – they don’t require any electronic equipment. They can lodge right in your brain. They are by nature short. You don’t even have to remember all of them — you can remember just a phrase. That can be something you can turn to in any emergency, good or bad. You’ll pluck out a little group of words, just maybe a phrase, and that’s exactly what poetry is for. It’s for the things that really last. Because it lasts.

And I’m too lazy to write anything. But, I’m feeling sappy and nostalgic, so here’s a chat. Or a few. I’m just grateful some of you out there can take advantage of my waking hours. It’s nice feeling helpful. And in touch with the outside world. Just know that I love talking with you guys.

Also, sorry about all the brackets and vaguenesses.

ONE
Friend
: lol

  oh, here’s something else to get outraged about
  so you’ve heard about the verizon strike
 me: ok
 Friend: the company makes a profit of 108 billion a year.
they currently have a health plan that gives free care to their retirees, and their current employees get health care but have to pay copays.
they are on strike because the company wants each employee to contribute $20k a year for the health plan.
  this will save the company $1 billion. So they can make $109 billion a year instead.
  their top 5 executives make something like $525 million.
how freaking ridiculous is that?
 me: holy what
  okay, i like capitalism for all its good qualities
  but this
  THIS
  THIS
why??!!!??
Friend: i know.
  i’m thinking vancouver might be a good place to move to.
  i’ve heard it’s pretty.
 me: me, too
  maybe i’ll see what’s there in terms of grad schools
Friend: you can scope it out for us. cuz this country is too stoopid to survive. i read something today that half the reason the economy sucks so badly is that the majority of people don’t have money to spend, so they don’t. the few who do have money (the top 5%) have too much money to know what to do with.
  so no jobs, etc.
  fun, right?
well, now that i’ve gotten you all outraged, time for me to run. talk to ya later!
 me: jerk
  thanks a lot
  ;)
***
TWO
me: hi
Bro-friend: Heya. You’re up late
 me: i am
  you’re up as usual
Bro-friend: Indeed.
me: i can’t sleep
  but i have to
 Bro-friend: Did you drink Mt Dew again?
me: a little
  :)
  but i’ve had problems before that
 Bro-friend: Hmm.
 me: it’ll be fine
  i’ll get to sleep soon
Bro-friend: I’m going to exploit it first.
  Question:
me: yes
Bro-friend: From what you’ve read of the writing project, what do you think the impact would be, either good or bad, of inserting a section [here].
In this hypothetical section, the reader is privy to a long conversation with very little scene-setting [here].
me: do you want that kind of a shift?
 Bro-friend: Well, it’s coming one way or the other, question is does it belong there or after.
me: you’re building toward something. will the section continue that build or interrupt it in a way that may or may not work
  the description sounds incredibly intriguing
maybe keep [here] continuous
  OR break them up
  the effects of either would be very interesting
Bro-friend: I think they need to stay continuous but going from [here] has always seemed a bit quit to me.
  There’s an implied passage of time but for the reader its immediate.
  So advantage to moving up the mom talk is providing a time lapse.
 me: right
Bro-friend: Disadvantage is breaking up flow.
 me: but if it’s sans setting …
  right
Bro-friend: You were pretty exhausted by it though. This would at least provide a section where [something happens].
me: will readers see the conversation as part of the chronology?
  or an aside?
Bro-friend: I think it would fit the chronology. [And here's why.]
 me: then picks back up with the next chapter?
[this] would definitely add a different perspective
 Bro-friend: This section ends with [this].
I guess you’d need to read it to provide a detailed opinion. I’m trying to keep a big picture view of where it belongs.
 me: that’s fine
 so with the new section we have a better understanding of [this]
i worry slightly about a gentle unrolling into the conclusion
 Bro-friend: Makes sense.
 me: but, like you say, i’ll have to read it
  it’s an interesting take
 Bro-friend: Here’s the thing -
 me: and i’m curious
 ok
Bro-friend: I’ve approached the project overall as two halves. First half is what you’ve read… [this]. Part two is supposed to be [that].
  This section [accomplishes this].
In reality this process was not A to B, but a gradual process taking place all through the events described in part one.
 me: ok, i understand
  i see your intent
  it can be very effective
Bro-friend: I think of part one as one long crescendo and you’re right that it would be disruptive to interrupt that.
 My idea for starting off part two though feels a little disjointed.
 This section is one element. There are [ . . . ] others. [Like these.]
And it all seems like a bit much to just through together.
  But I may be overthinking it
 me: well, it only makes sense that chaos builds proportionally [here]
  it may seem like a lot, but realistically, even in a narrative context, it sort of has to be
 imo
 Bro-friend: It’s a question of [this]
me: how much magic do you want to do?
Bro-friend: How do you mean?
me: well, i don’t know.
Bro-friend: I want the experience for the reader to be immersive and genuine, while also maintaing reasonable fidelity to actual events. I can fudge some of the chronology or find other ways to work around those problems if it makes the read more smooth for the reader.
  I ask a lot from the reader in keeping track of stuff already so it’s not so much a stretch
 me: i understand
 you pretty much answered your own question about how much magic you’d be willing to do
 Bro-friend: Just wanted to see if that’s what you meant. I get where you’re coming from. I’m not resolved on it one way or the other yet, but it’s good to talk it out. Thanks.
 me: glad you’re back to thinking about it some more
Bro-friend: It comes and goes.
 me: :)
***
THREE

me: Friendy, i’m talking about marching band memories with someone

  can i recount the time [this happened]?
 Friendy: of course!
  when did [this happen]?
 me: i always think [it] did
  10th grade. azalea festival
 Friendy: hmm
  I don’t remember [it]
  I did get mad at Mr. Rood
 and it was my 15th birthday
  and Myron Hall squashed a toad in his marching shoes
  but I don’t remember [that]
 me: okay
  good thing i didn’t tell it, then
 Friendy: that guy who played trombone threw up before we went on the field
 me: oh yes, that
 you have different memories than i
 Friendy: that’s because we were on different sides of the field!
  weren’t we?
  I was by Mike what’s-his-name
 now I have Trooper Salute in my head
 me: excellent
Friendy: yeah, that was last year
  they were all over the news :-)
  the channel 4 news, that is
 me: it’s impressive
 Friendy: i don’t really think they’re all that good….
 me: oh?
 Friendy: but hey, they won
  they’re okay
 me: standards have gone down?
 Friendy: oh yeah
 me: that’s just too bad
 Friendy: well, they’re not terrible
 me: so, we were better, then
 Friendy: way, way better
  they’re adequate
 me: SWEET
 Friendy: but nothing special :-)
  we were pretty special
 me: indeed
 sigh. the memories

Two songs: the original and a cover. I really need to listen to more Kate Bush.

Both versions move me. It’s just a beautiful song.  And it’s wonderful how different the song seems when a man sings it. Especially Greg Laswell.

I’m working on a paper due Monday. Too bad this song stimulates way more creativity than research. There are other things I’d rather be writing than a paper on King Lear. Well, not entirely true. I’d actually enjoy writing a paper on King Lear (because the play is incredible), but not under these particular circumstances. C’est la vie. Que sera sera.

It will get done.

Back to work.

Enjoy.

—-

 

Pray God you can cope.
I stand outside this woman’s work,
This woman’s world.
Ooh, it’s hard on the man,
Now his part is over.
Now starts the craft of the father.

I know you have a little life in you yet.
I know you have a lot of strength left.
I know you have a little life in you yet.
I know you have a lot of strength left.

I should be crying, but I just can’t let it show.
I should be hoping, but I can’t stop thinking

Of all the things I should’ve said,
That I never said.
All the things we should’ve done,
That we never did.
All the things I should’ve given,
But I didn’t.

Oh, darling, make it go,
Make it go away.

Give me these moments back.
Give them back to me.
Give me that little kiss.
Give me your hand.

(I know you have a little life in you yet.
I know you have a lot of strength left.
I know you have a little life in you yet.
I know you have a lot of strength left.)

I should be crying, but I just can’t let it show.
I should be hoping, but I can’t stop thinking

Of all the things we should’ve said,
That were never said.
All the things we should’ve done,
That we never did.
All the things that you needed from me.
All the things that you wanted for me.
All the things that I should’ve given,
But I didn’t.

Oh, darling, make it go away.
Just make it go away now.

So, I was browsing through Bookslut and found this article, which is an interview with the guy who was the instructor of my beginning memoir-writing class at Gotham Writing Workshops. I took the class back in the fall of 2006.  He’s the one who gave me this feedback.

Maybe I’m going to try to go back to a little writing again. I’m not sure how to do that.

That is all.

Tuesday, May 3. We sit in a dark classroom of the CAEC in Dakar and listen to a lecture about the geopolitical history of Senegal. The chairs are uncomfortable and there are no desks. I can’t touch the floor when I sit in the chair, and my notebook slants away from me when it’s on my lap. I cross my left leg over the right and take notes until one of my legs goes numb. Then I try sitting cross-legged to stretch, then that also becomes uncomfortable, and I’m trying to focus but I’m only catching every other word yet I’m grateful Madame is writing notes on the board that everyone can follow. Senegal has a strategic location; they are known for their Teranga, or hospitality. The main rivers are the Senegal, Sine and Saloum; the mouth of the Senegal joins with the Atlantic Ocean.

I try to pretend that I’m floating.

Maybe the lecture goes on for another hour; maybe days. I prop my feet up on the back edge of the seat in front me, careful not to touch its occupant’s rear end. Using this slant, I can take notes more easily.

Sometimes the French sounds like noise, but I learn that other languages in Senegal are Arabic, Peule, Wolof, Serer, Madinka, and Soninke. The Isle of Gorée was a center of slave trade. I wonder if the rest of the trip is going to be like this. Will we have classes every day, will it always be this dark and hard to understand. Silly symbolisms bounce around in my brain.

After a couple of hours or a thousand, the lecture wraps up. I notice that Madame Aminata Sow Fall has entered the classroom, and an assistant starts to bring in stacks of her novels for sale. She writes about the rights of women and the potential of African countries to become self-sustaining. She moves forward in a country that halfheartedly attempts to unmire itself from certain traditions. She is highly esteemed and well-respected in the francophone world. An idea strikes me.

The lecture is over and the students begin leaving the classroom to stand in the sun. I reach into my backpack and pull out a copy of Douceurs du bercail and then a black Sharpie marker. I rehearsed the French in my brain while waiting for a free moment with Madame Sow.

In Senegal, the married name immediately follows the given name, and the maiden name moves to the end.

She walks toward the back of the classroom. With a book in one hand and a marker in the other, I stand up and approach her.

Excusez-moi de vous deranger 

It’s no trouble at all she says, all Frenchlike.

Est-ce je peux avoir votre autographe?

It would be my pleasure.

I hand her the book and the marker, because I thought she would write on the inside cover, but instead she asks for a pen and tells me the marker would bleed through the page.

She asks my name, and I tell her. She inscribes, “To May, With all my affection.” Then she signs and dates it.

I thank her, and I walk out of the classroom. My feet still don’t touch the ground, but I love this sensation.

For the next two weeks (but really four), I say nothing in class. I’m shy and self-conscious, I listen and the African-effected French becomes a little easier to understand. The role of women in modern society. Polygamy and the role of family. The education system. The future of Senegal.

At the CIRLAC in Saint-Louis, Madame gathers us to take yet another photo de famille. Madame Fall passes by me, she mispronounces my name (like “my”), but I give her the benefit of the doubt because I have been silent and avoiding attention, plus she meets and knows so many people. I smile and say bonjour, and she continues to walk and shake other students’ hands. Then she returns to me and pronounces my name correctly and tells me that one of her granddaughters has a name of the former pronunciation. At this point my brain freezes the way it does when intimidating people talk to me, but I’m also absolutely elated, so I manage to squeak out something like “that’s very interesting” or “how cute” but all I really remember is that she remembered my name.

And that she might have my Sharpie.

So, I was thinking back to when I got rejected for a Spring/Summer scholarship, way back in February.  The letter I sent to the financial aid office rather firmly asked them to reconsider their decision, that my recent grades should speak more loudly than my grades from prodigal years. They did reply, saying their decision is final, and that they can’t ignore any grades.

It makes sense that they didn’t give me a Spring/Summer scholarship, since those are strictly grades-based. But I also dismissed my chances of receiving a Fall/Winter scholarship; I was ready to apply for federal financial aid and finish off my undergraduate career, business as usual. I’d already resigned to commit to more debt because I was commited to earning a degree. What’s one more year, anyway?

Maybe you can understand my surprise when I received notification about the scholarship. While it’s true that Fall/Winter scholarships are need-based as well as academic, if you fill out the comprehensive application, you also get to submit three essays in some sort of last-ditch effort to prove your eligibility for a happy philanthropist’s money. I guess the financial aid office also considers the FAFSA, but not nearly as heavily as one’s character and intellect.

Those three essays really had to capture my character and intellect. Before I returned to BYU, I applied for a scholarship, and they seemed to regretfully inform me I wasn’t going to receive one. I understood that as well: it had been seven years, and my academic record before the hyperextended hiatus (called New York City)  was pretty shameful. But this time around, while I didn’t quite earn 4.0s, it did look like I was trying to redeem myself. The grades reflected my determination, which spoke for my character; and they also somewhat indicated that I have the smarts.

I couldn’t count on grades being enough, because BYU doesn’t look solely at grades with semester scholarships. Near the beginning of this year, I remembered the application deadline coming quickly, and I didn’t know how I could write three dazzling essays. Nevertheless, I took a deep breath, told myself they were only three three-hundred word essays, and that I had nothing to lose. I typed away.

The three essays are the same topics each time: 1. Tell us about yourself; 2. What do you want to accomplish at BYU; 3. What have you accomplished in the last five years. While I agree to advise people to be honest and sell themselves while writing these essays, I must also have to say it’s sort of a balancing act with saying a few things the scholarship committee wants to hear. It’s part of the business and art of writing in world: of course you have your craft, but if your work doesn’t affect someone, somewhere, then why bother?

The essays follow, behind the cut. I tried treating them as one long essay split into three parts with a few overlapping ideas. Truth be told, they’re not my best work, but I believe they made a difference in the committee’s decision. I’m glad someone decided to share a bit of their fortune with me. That someone reading what I had to say turned something relatively low-risk into a great blessing.

(more…)

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